Zoi Zeniodi – Conductor, Orchestra Director
Zoi Zeniodi, the Artistic Director of the Thessaloniki Concert Hall, is a conductor and pianist who performs in America, Asia and Europe. She has conducted orchestras including the Brno Philharmonic, South Czech Philharmonic, Tokyo Star Symphonic Orchestra, Orchestra Classica Toscana, State Orchestra of Thessaloniki, National Symphony Orchestra of ERT, Chamber Orchestra of Friends of Music, as well as collaborating with the National Lyric Opera and the Onassis Foundation Cultural Center. She is a member of the Institute of Women Conductors and was the first female conductor at Opera Southwest in New Mexico.
What has been the most rewarding aspect of your career so far?
I’ve been recognized in a variety of ways, but the fact that all of the orchestras and operas with whom I have worked contact me for future collaboration after our cooperation has ended is the greatest reward. However, the most significant reward comes from realizing that your efforts and connection have brought about a positive change in both you and your fellow human being, and therefore in your relationship. Transformation is the reward.
Can you share some key milestones or turning points in your journey?
People and choices are milestones and turning points. And I have a plethora of such and feel very fortunate. Fortunate to have been chosen by them and to have chosen them. The most crucial milestone in my journey has been my children because they constantly make me understand the world differently.
Have you experienced any gender-specific challenges with people who tried to set obstacles in your way and discourage you?
Yes, I have encountered blatant inequality. Many people and organizations have hindered me in different ways. Their motives do not concern me because I think that they already know that nothing can stop me from achieving my goals. Fortunately, many bright people stand as beacons, who believe and create real culture.
Is there something you wish you had known when you started your career?
Yes. I wish I had realized much earlier how this specific field operates “professionally.” I would have liked mentors to talk to me about reality, extreme competitiveness, how important social connections can be, and all the skills and qualities one needs to endure and function adequately in the field. Any musician who fails to grasp deep concepts of structure, architecture, aesthetic concepts, and lively expression will never manage to stay in the field. However, it would be good to also understand the “social” side of the profession so that we can decide early on if the field suits us and if we suit it.
